Nadunisi naigal review | nadunisi naaygal review | nadunisi naaygal tamil movie review
Nadunisi Naigal star cast:
Veera as Samar (hero), Sameera Reddy as Sukanya (Heroine), Ashwin as Arjun, Karthik as Vijay
Nadunisi Naigal technical crew:
Director – Gautham Menon
Producer – Kumar Jayaraman
Cinematography – Manoj Paramahamsa
Editing – Anthony
Gautham Menon’s experimental offbeat film Nadunisi Naigal is said to be a psychological thriller film which bags Sameera Reddy and Gautham’s associate Veera in lead roles. Gautham Menon, who is quite good in making stylish films has tried his hands in a new genre film which is a rare sight in Tamil cinema.
Nadunisi Naigal storyline:
Nadunisi Naigal is based on a true story in which a psychopath inflicts terror in women at night. The main theme of the story is said to be compulsive love and lust which makes men to indulge in violence. Gautham Menon who is well known for filming song sequences in stylish manner has given no room for music in Nadunisi Naigal.
This movie is based on a true story in which a psychopath inflicts terror in women at night. The foremost theme of the story is said to be obsessive love and lust which makes men to pamper in violence.
The movie will carry on for 90 minutes without songs. All the sounds have been recorded live and the editing part is said to be a difficult task it is said.
Menon, who is always eager at bringing in fresh formats and techniques, has pursued a very elite approach in Nadunisi Naaigal. The film will set a fresh trend in Tamil cinema.
Nadunisi Naigal is about a psycho killer and is about what happens during a night out on the ECR Road, Chennai. Film has no music and is said to be less than two hours. It has Sameera Reddy, newcomer Veera in the lead and Samantha plays a important role. It is a new-age thriller that is technically superior when compared to movies in this genre currently being made in India.
Gautham, who is always keen at bringing in new formats and techniques, has followed a very unique approach in ‘Nadunisi Naaigal’.
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